College
of Architecture
Artist in Residence 2006
LiQin Tan
February 24 - March 5
Artwork
by LiQin Tan
Click on the images below for a larger view
LiQin Tan and Digital King
Digital Rawhide Prints, 48” x 60”, 2004
Lancaster Art Museum, USA.
Shanghai Duolun Museum of Modern art, China
iDMAa 2004
Digital
King
Digital Rawhide Prints, 48” x 60”, 2004
Lancaster Art Museum, USA.
Shanghai Duolun Museum of Modern art, China
iDMAa 2004
Digital Queen
Digital Rawhide Prints, 48” x 60”, 2004
Stedman Art Gallery, USA
Shanghai Duolun Museum of Modern art, China
iDMAa 2004
BurlStumpArm + 4
Digital Wood Prints w/ 3D Animation, 32” x 48”
x 4 pieces, 4 LCD TVs, 2005
Shanghai Duolun Museum of Modern Art, China
Noyes Museum of Art, USA
iDMAa 2005
BurlHairHoly
Digital Rock Prints w/ 3D Animation, 50” x 42”, 2005, Shanghai
Duolun Museum of Modern Art, China, National Center for Computer Animation,
UK
BurlHairGold
Digital Rock Prints w/ 3D Animation, 2005, 60” x 42”, Shanghai
Duolun Museum of Modern Art, China, National Center for Computer Animation,
UK
BurlNuts + 4
Digital Wood Prints w/ 3D Animation, 32” x 48”
x 4 pieces, 4 LCD TVs, 2005
Shanghai Duolun Museum of Modern Art, China
Noyes Museum of Art, USA
SIGGRAPH Art Gallery 2005
Earth King
Digital Prints, 14” x 12”, 1998
Power Art Gallery, William Paterson Univ. USA
Workshop Description
LiQin Tan will work with students on character design and 3D
modeling.
"This workshop aims to provide a new and renewing digital experience
for creative souls in contemporary art through conceptual development,
3D character design and large format digital prints.
In this digital age, digital technologies, telecommunications, and the
digital arts are transforming contemporary culture and daily life environment.
This workshop will expose participants to adapt "Digital-Nature"
as the main concept with 3D character design, unitizing human spirit,
natural beauty, and digital-prettiness through 3D simulation.
Each group is encouraged to set their own 3D modeling goals and decisions
in terms of the emphasis from conceptual to cartoony, from cel to computer,
from entertainment to experimental, and from natural to digital materials.
In the end, however, they all should still be associated with the “Digital-Nature”
concepts.
Our expectation is that our participants will leave the workshop with
a greater understanding for the new creative ways of animation presentation
and a renewed enthusiasm and appreciation for digital age art."
--LiQin Tan
LiQin
Tan's website
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